Alexandra Harris – Page 6

‘Beachy Head’

Alexandra Harris on 03/11/2020

Charlotte Smith, Beachy Head and Other Poems (London, 1807)

This is a poem about a place like no other. It opens ‘On thy stupendous summit, rock sublime!’, atop the vast East Sussex chalk headland it takes as its subject, before roving through a startling range of aspects pertaining to Beachy Head: its light, its weather, its geology, its flora and fauna, its inhabitants (largely hermits and shepherds). Smith zooms in and out not only on the landscape itself but the various histories that are embedded within it (personal, geological, European, global). The contexts, parameters and timescales of the poem – and of place – are ever-shifting, and diversify further (and are complicated) through Smith’s huge footnotes to the poem. The poem is incomplete (it was published posthumously), and at its end appears, peculiarly, to have been chiseled into the chalk headland itself by a hermit who lives beneath it.

Atlas of the European Novel, 1800-1900

Alexandra Harris on 03/11/2020

Franco Moretti (London: Verso 1999)

Recommended by Fariha Shaikh

By now, Moretti’s book needs no introduction: his idea to map places and locations in literary texts to see what hidden meanings we might uncover from the places that are mentioned and omitted took the literary world by storm. The book was a major contributor to the growth and development of GIS mapping techniques in the digital humanities, although Moretti himself does not mention this in his book.

Geographies of the Book

Alexandra Harris on 03/11/2020

Charles W. J. Withers and Miles Ogborn, eds.(Farnham: Ashgate, 2010)

Recommended by Fariha Shaikh

This is an edited collection, but nonetheless, the introduction sets out an extremely useful framework for thinking about books as ‘placed’ objects, and what happens to them when they begin to move and circulate. As Withers and Ogborn explain, while the history of the book is a discipline that has been long studied, far less attention has been paid to the geography of the book, a topic which is intimately connected to the cartographies of print production and distribution. The introduction is a great read if you are interested in gaining a critical vocabulary for talking about books as moving objects!

On the Move: Mobility in the Modern Western World

Alexandra Harris on 03/11/2020

Tim Cresswell (London: Routledge, 2006)

Recommended by Fariha Shaikh

Cresswell’s On the Move was pivotal in giving me a theoretical foundation for what we mean by ‘place’ within the modern world. As a geographer, Cresswell’s careful examination of ‘place’, as the construction of locality, as opposed to ‘space’, as the product of mobility, has been useful for me in thinking through the ways in which the texts that I work with are always mediating a careful balance between the two. This is a useful starting point for anyone who is looking to gain a theoretical background of the concept of place.

Frankenstein (1818)

Alexandra Harris on 03/11/2020

Mary Shelley ed. Marilyn Butler (Oxford, 1993)

Recommended by Jimmy Packham

Mary Shelley’s ubiquitous novel might seem like an obvious choice: “not this one again!” But I want to use this novel to gesture towards what I think is one of the most exciting – and what I believe is currently one of the most urgent – strands of landscape and environmental thinking: the ecogothic. Frankenstein straddles the Romantic and gothic traditions, and nowhere more so than in its portrait of the various (the myriad!) landscapes through which Victor and his creation travel. As a representative ecogothic text, the novel departs from the vision of nature generally associated with conventional Romanticism, and asks us to see nature as strange and estranging, unfamiliar and disquieting. More than this, however, this is a book that wants us to think ethically about our engagement with the natural world: the creature (himself a horrifying amalgam of nature and culture) works hard to establish a compassionate ethics, rooted in his experiences of nature and animal life. Frankenstein also reminds us how natural the apparently unnatural monsters that haunt our horror stories truly are: from The Odyssey and Beowulf, through Frankenstein, to more recent fare like Jeff Vandermeer’s Annihilation (2014) and the Godzilla franchise (1954-present). Indeed, in Godzilla I think we have a contemporary creature that rivals Frankenstein’s monster as the most compelling modern myth to illuminate humanity’s ambivalent relationship with the natural world: Godzilla returns to us at moments of ecological and global crisis, to restore a kind of harmony to the natural world, but does so while wreaking terrible destruction on human civilisation.

The Country of the Pointed Firs (1896)

Alexandra Harris on 03/11/2020

Sarah Orne Jewett, The Country of the Pointed Firs

Sarah Orne Jewett ed. Alison Easton (London, 1995)

Recommended by Jimmy Packham

Poised on the very edge of the land, the quiet and dilapidated coastal village of Dunnet Landing, Maine and its surrounding geography is the real protagonist at the heart of Sarah Orne Jewett’s collection of sketches – a masterpiece of what has been called “local colour writing”, so-called for the genre’s unassuming but perceptive attention to a very particular locale. I love these brief sketches for the portraits they paint of eccentric townsfolk, the goings-on of their small, out-of-the-way community, the unshowy but knowledgeable relationship between humans and the natural world (such as the tales’ herb woman, Almira Todd); at times, these tales teeter on the allegorical or the mythic, and celebrate the power of storytelling, especially female storytelling, in keeping a community and its histories alive. But we make a mistake, I think, in taking these romantic, nostalgic sketches of a town seemingly out-of-kilter with the chaos and energy of the modern world wholly at face value. There are darker and more radical undercurrents eddying in these waters. The legacy of New England’s profound gothic tradition impinges on Jewett’s world, in the witch-like figure of Almira Todd, for instance. The relationship between women and the landscape looks ahead to the more overtly queer landscape writing of another writer of the US’s eastern seaboard, the poet H.D; and the intertwining here of the paean to a fast-passing way of life and the cosmic resonance of this observation finds its successor in a poem like Elizabeth Bishop’s ‘At the Fishhouses’.

The Poetry of Clare, Hopkins, Thomas, and Gurney: Lyric Individualism

Alexandra Harris on 03/11/2020

Andrew Hodgson (Basingstoke, 2020)

Recommended by Jessica Fay

This book will be of interest to anyone who enjoys attending closely to the intricate methods poets use to express what they perceive and how they perceive it. We all see the world in different ways, observing different things, and our sense of identity and sense of home is channelled through those unique experiences. Subjective encounters with specific places, local events, and minute aspects of nature are at the centre of Romantic poetics. But while the aim of Wordsworth’s self-consciousness, for example, is to discover and communicate universal truths, this book shows—through a series of close readings—how four poets struggled with and against language, syntax, and form to achieve extreme lyric integrity, communicating the singularity of their embodied perception of the world for its own sake. Clare, Hopkins, Thomas, and Gurney emerge as proponents of a newly isolated and intricately defined poetic style that will nuance thinking about the spectrum of approaches to lyric subjectivity traceable within the Romantic tradition.

The White Doe of Rylstone: Or, The Fate of the Nortons (1815)

Alexandra Harris on 03/11/2020

William Wordsworth ed. Kristine Dugas (Ithaca and London, 1988)

Recommended by Jessica Fay

This narrative poem was written by Wordsworth in 1807 but withheld from the press until 1815 because of fears it wouldn’t be well received. And it wasn’t. It’s an austere poem that tricks the reader into expecting an exciting romance narrative of the kind at which Walter Scott excelled, only to disappoint those expectations when nothing much happens. It tells the story of the Norton family during the Rising of the North, a Roman Catholic rebellion aimed at dethroning Elizabeth I, but Wordsworth refuses to describe combat scenes and the most violent act performed by the rebels comprises treading on a Bible and saying Mass. Instead, the emphasis is on Norton’s Protestant daughter, Emily, who waits in the medieval garden at Rylstone Hall to hear news that her father and brothers have been killed. In her grief, Emily is comforted by the companionship of a milk-white doe, which continues to visit her grave in the churchyard at Bolton Abbey for many years afterwards. The garden and the churchyard are presented by Wordsworth as places enriched by the fact that they have witnessed centuries of human pain—from the medieval period through to the early nineteenth century—but for that reason, these are also places enriched by hope. This little-read Wordsworth poem gets to the root of his thinking about the consolation that can be gained from quietude, openness to lessons of sympathy from the animal world, and deep connections between people and the places in which they suffer and overcome that suffering.

The Idea of Landscape and the Sense of Place, 1730–1840

Alexandra Harris on 03/11/2020

John Barrell (Cambridge, 1972)

Recommended by Jessica Fay

This book gives a lot. It taught me how to recognize and describe the compositional patterns of seventeenth-century landscape painting (which were epitomized in the work of Claude Lorrain), how these patterns became standardized in English landscape art, and how, in turn, they inflected the structures of eighteenth-century topographical poetry. Barrell’s close reading, showing how the syntax of James Thomson’s The Seasons encourages the reader’s eye to move across the page in the way that the eye surveys a landscape painting, reveals how eighteenth-century readers looked at real landscapes. This builds to a foundational study of John Clare’s unique poetic representation of place.

Zara Castagna

Alexandra Harris on 21/10/2020

Zara Castagna

PhD student in English Literature

zxc816@student.bham.ac.uk

My research focuses on Dorothy Wordsworth and her circle, approximately from 1787 to 1830. I have wider interests in Romantic period writing and initially encountered Dorothy’s work through her particular way of describing landscapes and her use of the picturesque. Being also interested in life-writing, I now focus Dorothy’s letters, specifically on the way she uses the letter to draw people from different places together and maintain friendships across large distances. I want to explore how these primarily epistolary relationships influenced and shaped Dorothy’s perception of place and that, in turn, her other writings.