Presentations

2024

Witek, M. A. G. & Cooke, C. (2024). DJing and Disability: A Participatory Research Approach to Studying Embodiment in Disabled DJ Practices. Berlin Ethnomusicology and Anthropology of Music Research Group (BEAM). 11.01.2024, Berlin, Germany

2023

Witek, M. A. G. (2023). DJing and Disability: A Participatory Research Approach to Studying Embodiment in Disabled DJ Practices. Univeristy of Leeds Music Research Seminar, 14.12.2023, University of Leeds, UK.

Witek, M. A. G. (2023). Musical Groove: Pleasure, Body-Movement and Embdodied Cognition. University of Jyvaskyla Research Seminar. 02.11.2023. University of Jyvaskyla, Finland.

Nijhuis, P & Witek, M. A. G. (2023). Simultaneous tracking of (two) isochronous beat patterns. International Conference on Music Perception and Cognition & The Asia Society for the Cognitive Sciences of Music (ICMPC17-APSCOM7). 24-28.08.2023. Nihon University, Tokyo, Japan.

Nijhuis, P & Witek, M. A. G. (2023). Tracking two beat patterns simultaneously. Rhythm Perception and Production Workshop (RPPW19). 19.-22.06.2023. Nottingham Trent University, UK.

Vizzutti, G., Nijhuis, P., Stupacher, J. & Witek, M. A. G. (2023). Comparing the Effects of Synchrony, Music, and Touch on Prosocial Responses (poster). Rhythm Perception and Production Workshop (RPPW19). 19.-22.06.2023. Nottingham Trent University, UK.

Witek, M.A.G., Matthews, T., Bechtold, T., & Penhune, V. (2023). Where in the body do we feel groove? (poster). Rhythm Perception and Production Workshop (RPPW19). 19.-22.06.2023. Nottingham Trent University, UK.

2022

Witek, M. A. G. (2022). Music, disability and enactivism. Princeton Music Graduate Seminar. 07.12.2022. Princeton University, US.

Vizzutti, G., Nijhuis, P., Stupacher, J. & Witek, M. A. G. (2022). Comparing the Effects of Synchrony, Music, and Touch on Prosocial Responses (poster). International Conference of Students of Systematic Musicology (SysMus22). 7-9.09.2022. Ghent University, Belgium.

Witek, M. A. G. (2022). The mind is a DJ: Embodied entrainment, DJing and disability. The Oxford Seminar on the Psychology of Music (OsPoM). 16.02.2022. University of Oxford, UK.

2021

Bechtold, T. A., & Witek, M. A. G. (2021). That’s a different type of groove! – How musician’s strategies change groove experiences. Rhythm Production and Perception Workshop (RPPW18) 2021, University of Oslo. https://doi.org/10.13140/RG.2.2.32975.61607

Bechtold, T. A., & Witek, M. A. G. (2021). Groove and catchiness in popular music: An interview study with music experts. International conference on Music Perception and Cognition & European Society for the Cognitive Sciences of Music (ICMPC15-ESCOM10, 1). 28.-31.08.2021. University of Sheffield, UK. https://doi.org/10.13140/RG.2.2.34653.33766/1

Wing, A., Stables, R., Elliott, M., Witek, M. A. G. & di Luca, M. (2021). Synchronisation in a virtual quartet. Rhythm Production and Perception Workshop (RPPW) 2021. University of Oslo, Norway.

Witek, M. A. G., Matthews, T. E., Bodak, R., Penhune, V. & Vuust, P. (2021). Musicians and non-musicians have different inverted U-shaped liking responses to harmonic complexity in single chords. Neurosciences and Music Conference (Neuromusic) VII, Aarhus University, Denmark.