On the Making of Gardens (first published 1909)

George Reresby Sitwell (1951, Charles Scribner’s & Sons)

Recommended by Hattie Walters

In the first decade of the twentieth century, Sir George Reresby Sitwell could frequently be found in analytic concentration within great Italian gardens, making meditative notes that would form a large part of On the Making of Gardens—his personal design treatise. It is a curious text, devoid of  plants—made up instead as part rhapsodic commentary on derelict garden architecture, part summary of garden historical progression, part examination of the effects of the Renaissance garden, part rules for good design—and was painstakingly constructed in his attempt to revitalise the modern English garden. Initially, his endeavours had limited success (Sir George blamed the book cover design), and yet his text provides an intriguing insight into his planning of the gardens at Renishaw Hall, Derbyshire; his particular understanding of Renaissance formalisms, and his tantalising descriptions of old gardens in states of solitude inaccessible to the modern visitor.

Old West Surrey: Some Notes and Memories (first published 1904)

Gertrude Jekyll (1999, The History Press Ltd)

Recommended by Hattie Walters

Old West Surrey by Gertrude JekyllUnlike Gertrude Jekyll’s numerous other “garden books”, which are predominately dedicated to the planning and maintenance of a garden over the year, Old West Surrey was intended to memorialise the elements of rural working-class life that she saw rapidly disappearing from her beloved late nineteenth-century stomping-grounds. Roving from the architectural features of specific properties to characters remembered from childhood church sermons, fragments of dialect, dress, custom, and house ornament; and peppered with her own photographs and illustrations, Jekyll’s text is devoted to recording her impressions of local culture, used to promote her own Arts and Crafts sensitivity to place. This work is an important example of the twentieth-century reclamation of the distinctiveness of local village life, and Jekyll’s prime concern is the countryside included in her personal definition of Old West Surrey.

New York Head Shop and Museum

Audre Lorde (Broadside Press, 1975)

Recommended by Rona Cran

Audre Lorde- New York Head Shop and MuseumSara Ahmed observes that Lorde’s writing is ‘personal testimony as well as political speech’ and that she ‘made life itself a political art, an art which you must craft from the resources that you have available’. One of her most crucial resources was New York, the place where she was born and where she lived for significant periods of time. Her 1975 collection New York Head Shop and Museum (now out of print but available as part of her Collected Poems),  is both a portrait of the city as it slid into dereliction in the 1970s and a metaphorical act of taking to the streets in order to reclaim space and assert the existence of the marginalised. A glance at the contents list indicates the extent of New York’s critical role in the collection –titles include ‘New York City 1970’, ‘To Desi as Joe as Smoky the Lover of 115th Street’, ‘A Sewerplant Grows in Harlem’, ‘A Birthday Memorial to Seventh Street’, ‘A Year to Life on the Grand Central Shuttle’, ‘A Trip on the Staten Island Ferry’ and ‘Memorial III from a Phone Booth on Broadway’. The poems themselves are filled with references to a wide range of identifiable places all over New York, including the subway, the Staten Island Ferry, East Side Drive, Wall Street, Fourteenth Street, Riverside Drive, Brighton Beach Brooklyn and 125th Street and Lenox. The city that emerges from New York Head Shop is overwhelmingly deficient but richly lived, containing occurrences of horror, heartbreak and sometimes happiness.

Times Square Red, Times Square Blue

Samuel R. Delany (New York and London: New York University Press, 1999)

Recommended by Rona Cran

Times Square Red, Times Square Blue - Samuel R. DelanyTimes Square Red, Times Square Blue provocatively explores the redevelopment of New York City’s 42nd Street, or the Deuce, since the start of the 1960s – ‘a violent reconfiguration’ of the landscape of the city. The book consists of two extended essays, each moving ‘along different trajectories and at different intensities … two attempts by a single navigator to describe what the temporal coastline and the lay of the land looked like and felt like and the thoughts he had while observing them’. Delany playfully but instructively tracks the shift of one of the world’s most famous urban places – Times Square – from a locale hinging on pornography and public sex to one structured around tourism, ‘family values and safety’. In evoking and mourning the disappearance of the old Times Square, Delany illuminates the complex social relationships that developed there and were subsequently lost, exploring the pleasure and importance of communication across classes and in public spaces, and the crucial differences between institutionally-engineered networking (which tends to take place indoors) and contact, which is associated with public space and is more broadly social and random.

The Gentrification of the Mind: Witness to a Lost Imagination

Sarah Schulman (Berkeley: University of California Press, 2013)

Recommended by Rona Cran

The Gentrification of the Mind: Witness to a Lost Imagination - Sarah ShulmanThis is a queer book – one that refuses the well-worn and instantly recognizable structure of academic books, that doesn’t follow the storyline academic books are supposed to follow. As Schulman writes in her introduction, ‘some ideas have to be formally replicated, instead of being described. They have to be evoked.’ The Gentrification of the Mind is a memoir and analysis of the years during the AIDS crisis during which Schulman witnessed the disappearance of the New York she knew and loved, with the spectre of AIDS moving hand-in-hand with gentrification and mainstream consumerism. It laments lost places and lost people (‘destroyed neighborhoods remain destroyed’) but it is also a celebration of difference and futurity, of using activism and the arts to reclaim those lost places: ‘in order for radical queer culture to thrive, there must be diverse, dynamic cities in which we can hide/flaunt/learn/influence – in which there is room for variation and discovery’.

Ditch Vision: Essays on Poetry, Nature and Place

Jeremy Hooker (Awen Publications, 2017)

Recommended by Isabel Galleymore

Ditch Vision: Essays on Poetry, Nature and PlaceThis book provides a useful way to conceptualise the differing scales of British and American landscapes in the context of nature writing from the nineteenth century to the twentieth century. Hooker suggests that many British writers demonstrate ‘ditch vision’ in their portrayals of environments. Rather than grand expanses, this approach studies microcosms of the wild in landscapes otherwise deemed increasingly urban. Hooker takes his lead from Richard Jefferies who in ‘The Pageant of Summer’ finds a ditch overflowing with ‘Green rushes, long and thick … the white pollen of early grasses … hawthorn boughs … briars … buds’ ([1884] 2011: 41–2). The observation leads him to remark, ‘So much greater is this green and common rush than all the Alps’ (ibid.: 43). Hooker applies his concept of ‘ditch vision’ to writers including Edward Thomas, John Cowper Powys and Frances Bellerby.