Recollections of a Tour Made in Scotland, AD 1803

Dorothy Wordsworth, 1803, edited by Carol Kyros Walker, Yale University Press, 1997

Recommended by Zara Castagna

Recollections is the account of a six week long tour of Scotland that Dorothy Wordsworth undertook with her brother William and with Samuel Taylor Coleridge in August and September 1803. Filled with entertaining reports of the 663-mile journey, hand-drawn maps of lakes and rivers, and occasional poems by William, the travelogue paints a detailed picture of the Scottish landscape and its people. Dorothy’s characteristically vivid landscape descriptions combine romantic and picturesque aesthetics. She allows the reader almost to step into the Scottish Highlands themselves and see what she saw. Apart from the changing Scottish landscape Dorothy repeatedly notes how the ’employments of the people are so immediately connected with the places where you find them’, thus encouraging the reader to think about the distinct connection between people and place that shapes their manners and customs.

The Living Mountain

Nan Shepherd.  Introduction by Robert Macfarlane. Canongate 2011

Recommended by Martin Stott

I re-read The Living Mountain on a recent hiking trip in the Scottish Highlands. It speaks of the mountains in such a contemporary voice that it could have been written yesterday. In fact, it was completed in 1945 and only published in 1977 a few years before Nan Shepherd’s death. It remained practically unknown until about a decade ago when her writing, including a book of poetry In the Cairngorms (published in 1934) was re-discovered and championed by Robert Macfarlane.

Shepherd records her feelings about the views, the rocks, the wildlife and the hidden joys of a part of the Highlands close to where she spent her whole life – the Cairngorms. Her approach to this wilderness was less about conquering the peaks and more about listening to the landscape, becoming one with it: ‘…I discover most nearly what it is to be. I have walked out of the body and into the mountain. I am a manifestation of its total life as is the starry saxifrage or the white-winged ptarmigan’ (p. 106).  The Living Mountain gleams with the insights of a prose poet in her chosen landscape.

 

In Search of the Essence of Place

Petr Král. First published as ‘Enquête sur des lieux’ (Flammarion, 2007); translated by Christopher Moncrieff (Pushkin Press, 2012)

Recommended by Jon Stevens

Petr Král was a Czech writer, who died in 2020. ‘In Search of the Essence of Place’ was one of his last books, published in 2007. Král was born in German occupied Prague and grew up under Communism. After the ‘Prague Spring’, like many writers and intellectuals, he fled to Paris where he spent the next thirty years, apart from a short period in North America. He returned to Prague in 2006.

‘In Search of the Essence of Place’ is an elliptical and fragmented journey through Král’s life. It is a tale of exile and of displacement, in which primacy is given to the places he experienced rather than the people he met.  Král was a member of the Czech surrealist movement and, on his first visit to Paris, he wanders the streets searching for the home of André Breton (who he refers to obliquely as ‘the prophet’). Following the example of Breton’s autofiction Nadja, Král’s text is interspersed with commonplace black and white photographs; and like Breton he is preoccupied by the ‘strangeness of things and places’.

The most unsettling aspect of places is their lack of clear boundaries…even their frontiers are hidden from our eyes by their deceptive drifting motion…(as in) the distinctive way in which the decoration of the most ornate palaces breathes in and out…and then suddenly ceases, when we study it too closely, leaving us with an inanimate lump of masonry.

The Natural History of Oxfordshire

Robert Plot, 1677

Recommended by Martin Stott

Robert Plot’s Natural History of Oxfordshire examines and describes the flora, fauna, palaeontology, geology, and landscape of the county; it includes a large map, which Plot claims is more comprehensive than those of ’Saxton, Speed &c’, as well as describing unusual features of the area. Controversy about the origin of fossils was growing at the time, and Plot engages with the subject in some detail. He believed that experimentation was essential in understanding the natural world and gives a rational, evidence-based description of the objects and phenomena he comes across, including the first known picture of a dinosaur bone, Plate VIII, which he incorrectly concludes to be the bone of a giant. The impact of the book was immediate and far reaching, and he was elected to the Royal Society on the basis of its publication. It may also have confirmed Elias Ashmole in his belief that Oxford was the appropriate place for his collection. He persuaded the University authorities both to accept the collection and provide a fine building in which to house it. Plot went on to become the first Keeper of the Ashmolean Museum in 1683.

The Making of the English Landscape

W.G. Hoskins, 1955.

Recommended by Martin Stott

I discovered this book as a teenager while studying for A levels in geography and geology. It opened my eyes to the landscape of my childhood, the north Oxfordshire Cotswolds, and gave me the tools to explore what became with its publication a new discipline: landscape history.  Through it, over a distance of a few miles, it was possible to chart centuries of England’s history by close observation of the landscape. Hoskins’ attention to the significance of ancient hedgerows, water meadows, green lanes, copses, and deserted medieval villages challenged the received wisdom that contemporary landscapes had  been shaped largely by the great eighteenth-century landowners and their technologies. The Making of the English Landscape is not so much about the geography, local history, or landscape archaeology of a particular place, but rather the intellectual underpinning of a way of seeing, interpreting, and integrating the interaction between human activity – sometimes over millennia – and the landscape of every place.  Its publication almost 70 years ago was revolutionary, and its impact on our understanding of the English landscape remains profound.

The Heart of the Country

By James and Robin Ravilious, foreword by Ronald Blythe (Scholar Press, 1980)

Recommended by Martin Stott

The Heart of the Country captures — in the words of Robin Ravilious and the photographs of James Ravilious — a slice of rural north Devon between the Taw and Torridge rivers. Structured around four themes (The Land, Farming, Village Life, and Occasions), each with a short introduction by Robin, James records in over a hundred photographs what Ronald Blythe calls ‘the poetry of the commonplace’.  Taken over a six-year period in the 1970s within a ten-mile radius of Beaford (covering three towns and about thirty villages), the photographs have an immersive quality which Blythe describes as ‘saying something very memorable about the deeper actuality of rural experience’. Forty years later, they evoke a romantic, almost wistful, air of a community where the threads of people’s lives—the Post Office, the village shops and pubs, hedge laying, foxhunting, the village forge, and winter snows with all the challenges they brought for farmers and their livestock—entwine to create a record of a rural society to which the authors themselves belong, connecting a lingering yesterday to the present.

On the Black Hill

Bruce Chatwin, 1982.

Recommended by Ellen Addis.

Set in the border regions of Herefordshire, in England, and Radnorshire, in Wales, the story follows two identical twin brothers and their lives on a farm called ‘The Vision’. Never leaving home, sleeping in the same bed, and working the rural soil, On the Black Hill tells the beautiful but quietly sad tale of the brothers’ unique bond to each other which is as strong as their tie to the land.

The cover of Bruce Chatwin's On the Black Hill.

A Sand County Almanac

Aldo Leopold, 1949.

Recommended by Tom Dobbins

A simply beautiful collection of stories and essays on land. Leopold has a wonderful knack of inspiring ecological stewardship through his intimate descriptions of place, while also managing to capture what it is to have an honest, evolving relationship with the world around us. His joyous month-by-month assessment of rural Wisconsin is backed up by sharp ecological critique, which continues to inspire a place-based management practice rooted in community and inhabitation.

The Mushroom at the End of the World

On the Possibility of Life In Capitalist Ruins

Anna Lowenhaupt Tsing (Princeton University Press, 2015)

Recommended by Tom Dobbins


Whether at the scale of a building, a material or an ecology, viewing place through a non-human lens is a necessary act towards an empathetic management of its character. It makes space for under-represented qualities and characteristics to gain value, which in turn can expand what is deserving of protection, rehabilitation or praise. Anna Tsing’s observations of the world in relation to the matsutake mushroom are one fascinating example of this. The book exposes a web of hidden global narratives, sited across a series of forests, where place is read in the spaces between ecology, commodity and community.

An Oxfordshire Market Gardener

The Diary of Joseph Turrill of Garsington 1863-67

Edited by E. Dawson & S.R. Royal (Alan Sutton, 1993)

Recommended by Martin Stott

Joseph Turrill was a young man working as a market gardener in the Oxfordshire village of Garsington when he kept his diary. As a working-class lad, he experienced the landscape less through the views and more by what he could grow. His detailed observations of the seasons, the weather, the wildlife, and what would sell, as well as the habits and quirks of his neighbours, customers, family and girlfriend, reflect a very different experience of life and locality from contemporary diarists such as Francis Kilvert in Clyro, or earlier natural historians such as Gilbert White in Selborne, let alone his neighbour in Garsington Manor, Lady Ottoline Morrell and the galaxy of literary stars that she entertained there. Whether it is the progress of a row of beans, gathering walnuts for pickling, or gardening by moonlight (’the parish lantern’) after a late shift in his mother’s pub, the diaries shed a fascinating and distinctive light on a much written about locality.

Diary of Joseph Turill