German theatre stages Rushdie’s Satanic Verses without incident

A stage adaptation of Salman Rushdie’s The Satanic Verses debuted without incident in Germany Sunday, despite worries about the controversial production before opening night. German police were dispatched both inside and outside the Hans Otto Theatre in Potsdam, located southwest of Berlin, for Sunday’s nearly four-hour-long performance. Some German Muslim groups had publicly complained about the production before the curtain went up on what is billed as the first stage play of Rushdie’s novel. The adaptation, for which Rushdie gave his consent, was created by the theatre’s director Uwe Eric Laufenberg and playwright Marcus Mislin. Police said that there were no direct threats or disturbances surrounding the event, but that uniformed and undercover officers had been assigned as a precaution. Indian-born British author Rushdie has long been the target of extremists for his novel, which was deemed blasphemous by many in the Muslim world.

‘They’re provoking us,’ says Iranian writer after Verses play Earth Times

Potsdam, Germany – An Iranian writer in exile Monday described a Satanic Verses stage play and the anti-Islam short movie Fitna as “pure provocation” towards Muslims which played into the hands of fundamentalists. Speaking on Deutschlandradio Kultur, a national public radio channel, writer Bahman Nirumand described the two productions as “psychological warfare” under the mantle of “artistic freedom.” “I can assure you that the fundamentalists are extremely gratified by it,” he said. “They can use it to boost their position.” He compared the effect to a game of tennis, with one player exploiting the other’s unwise strokes. Nirumand appealed to Western intellectuals to cease this form of provocation and to differentiate Islam’s many aspects. “These allegedly artistic productions simply equate all Islam with violence,” he said. The first stage adaptation of The Satanic Verses, a controversial novel by Indian-born author Salman Rushdie, won applause from a German audience at its premiere, held under police guard on Sunday afternoon at Potsdam near Berlin. The adaptation in German digested Rushdie’s 700-page, 1988 book to a four-hour matinee at the Hans Otto Theatre in the city of Potsdam. The characters include a prophet named Mahound, a thinly disguised reference to Mohammed.