LOS ANGELES — An actress who appeared in the anti-Muslim film blamed for sparking violence in the Middle East has lost another legal bid to have the trailer taken down from YouTube.
A federal judge in Los Angeles denied a motion for injunction on Friday by Cindy Lee Garcia. It wasn’t immediately known whether Garcia’s attorneys would file an appeal.
Garcia lost a similar legal challenge in state court when a judge rejected her lawsuit in September.
“Innocence of Muslims,” which depicts the Prophet Mohammad as a religious fraud and womanizer, enraged Muslims and ignited violence in the Middle East, killing dozens.
Garcia said she was duped by the man behind the film, Mark Bassely Youssef and the script she saw referenced neither Muslims nor Mohammad. She also said her voice had been dubbed over after filming.
Professor Jack G. Shaheen and actress Shohreh Aghdashloo on the history of Arab stereotypes, commenting on TCM’s July, 2011 Arab Images On Film programming.
Asl? Bayram was the first Miss Germany of Turkish background in 2005. In 1994 her father had been murdered by a Neo-Nazi. She took up acting with a renowned play-acting professor in Vienna and performed a play on Anne Frank that took her on a world tour. The German-speaking media paid special attention to the Muslim actress playing the Jewish Anne Frank. At the early age of 28, she has now published an autobiographical book on her experiences and life philosophy. The journalist of this article met Asl? Bayram in Vienna.
Moroccan authorities were happy for boy to make a home in Britain but officials in Surrey were not so sure.
When Robert and Jo Garofalo decided they wanted to adopt a child in Morocco they knew it would not be easy. Although the law in the Muslim state had been changed to allow foreign adoptions, the couple were required to convert to Islam first. But in the end it was not the Moroccan authorities that proved the biggest hurdle for the film director and his wife — it was their own local social services. For three months, during which Mrs Garofalo lived with their adopted son in a rented flat in Tangier, the couple were subjected to a series of what they believe were unecessarily harsh and intrusive interviews in which every aspect of their lives was scrutinised. Finally they were approved and were able to bring young Samuel back to their home, where he has thrived. So when, earlier this year, they approached Surrey social services for approval to adopt again from the same Moroccan orphanage, they were surprised to discover that they would have to go through the whole process again. The couple were particularly concerned that, in order to assess Samuel’s “attachment” to them, he would have to be monitored and even filmed while playing. Equally disconcerting was that even though social workers indicated in an initial report that they would be prepared to support the second application, the couple were left with the impression that they were being asked to do more to show they were living a Muslim lifestyle. “The Moroccan orphanage felt it would be good for Samuel to have a brother and were very positive and encouraging. They were happy with the way we dealt with Samuel’s cultural and religious needs,” Mrs Garofalo, a 40-year-old actress, said. But this was not enough for Surrey, who made clear that an assessment would go ahead only if the couple proved that they were making enough effort to live a Muslim lifestyle. In their report, social workers noted that although the couple had stated their religion was Islam “there is no outward sign that this is a Muslim family . . . Joanne and Robert are aware that the socio-religious element is an aspect of Samuel’s identity and heritage which this agency takes very seriously.” It recommended that “particular attention be given to sharing techniques and strategies with Joanne and Robert that will enhance their children’s sense of identity and legacy, particularly in view of their very public statement they made deciding to convert to Islam in order to adopt”. Rachel Kaufman reports.
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” . . . a magnificent demonstration of the power of theatre to change the terms of public debate. The monologues make visible – live, in real time, in close physical proximity – women, emotions, and beliefs that are hidden from the non-Muslim world.” Thomas Sellar, Editor, Theater
The American Repertory Theatre is pleased to invite you to the New England premiere of Dutch actress/writer/director Adelheid Roosen’s The Veiled Monologues. Scheduled for one week only, from Tuesday, October 16 through Sunday, October 21, performances will be held.at the A.R.T.’s Zero Arrow Theatre in Harvard Square.
After acting in a production of Eve Ensler’s The Vagina Monologues, Dutch actress Adelheid Roosen approached Muslim women living in the Netherlands to ask them similar questions about their sexuality. The result – The Veiled Monologues – is a vital, surprising, and poetic portrait of love and relationships in the Islamic community. Each monologue is imbued with deep feeling and delicate detail, allowing us more than a glimpse into each woman’s soul.
Several performances will be followed by symposia:
October 16: Post-performance discussion with members of the creative team, co-presented by the Harvard College Women’s Center.
October 17: Post-performance panel discussion, co-presented by Harvard University’s Center for Middle Eastern Studies and Committee on Degrees in Studies of Women, Gender, and Sexuality
Tickets: Start at $39, $25 for students (based on availability.) Group rates are available for groups of 10 or more.