{"id":1557,"date":"2021-05-23T16:40:28","date_gmt":"2021-05-23T15:40:28","guid":{"rendered":"https:\/\/more.bham.ac.uk\/artsofplace\/?p=1557"},"modified":"2021-05-23T16:46:21","modified_gmt":"2021-05-23T15:46:21","slug":"an-oxfordshire-market-gardener-the-diary-of-joseph-turrill-of-garsington-1863-67","status":"publish","type":"post","link":"https:\/\/more.bham.ac.uk\/artsofplace\/bookshelf\/an-oxfordshire-market-gardener-the-diary-of-joseph-turrill-of-garsington-1863-67\/","title":{"rendered":"An Oxfordshire Market Gardener"},"content":{"rendered":"

The Diary of Joseph Turrill of Garsington 1863-67<\/h2>\n

Edited by E. Dawson & S.R. Royal (Alan Sutton, 1993)<\/p>\n

Recommended by Martin Stott<\/a><\/p>\n

Joseph Turrill was a young man working as a market gardener in the Oxfordshire village of Garsington when he kept his diary. As a working-class lad, he experienced the landscape less through the views and more by what he could grow. His detailed observations of the seasons, the weather, the wildlife, and what would sell, as well as the habits and quirks of his neighbours, customers, family and girlfriend, reflect a very different experience of life and locality from contemporary diarists such as Francis Kilvert in Clyro, or earlier natural historians such as Gilbert White in Selborne, let alone his neighbour in Garsington Manor, Lady Ottoline Morrell and the galaxy of literary stars that she entertained there. Whether it is the progress of a row of beans, gathering walnuts for pickling, or gardening by moonlight (\u2019the parish lantern\u2019) after a late shift in his mother\u2019s pub, the diaries shed a fascinating and distinctive light on a much written about locality.<\/p>\n

\"\"

Diary of Joseph Turill<\/p><\/div>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

The Diary of Joseph Turrill of Garsington 1863-67<\/p>\n","protected":false},"author":128,"featured_media":1559,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-1557","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bookshelf","with-featured-image"],"featured_image_urls_v2":{"full":["https:\/\/more.bham.ac.uk\/artsofplace\/wp-content\/uploads\/sites\/42\/2021\/05\/index.jpg",960,1280,false],"thumbnail":["https:\/\/more.bham.ac.uk\/artsofplace\/wp-content\/uploads\/sites\/42\/2021\/05\/index-300x300.jpg",300,300,true],"medium":["https:\/\/more.bham.ac.uk\/artsofplace\/wp-content\/uploads\/sites\/42\/2021\/05\/index-338x450.jpg",338,450,true],"medium_large":["https:\/\/more.bham.ac.uk\/artsofplace\/wp-content\/uploads\/sites\/42\/2021\/05\/index-768x1024.jpg",768,1024,true],"large":["https:\/\/more.bham.ac.uk\/artsofplace\/wp-content\/uploads\/sites\/42\/2021\/05\/index-768x1024.jpg",768,1024,true],"1536x1536":["https:\/\/more.bham.ac.uk\/artsofplace\/wp-content\/uploads\/sites\/42\/2021\/05\/index.jpg",960,1280,false],"2048x2048":["https:\/\/more.bham.ac.uk\/artsofplace\/wp-content\/uploads\/sites\/42\/2021\/05\/index.jpg",960,1280,false],"ab-block-post-grid-landscape":["https:\/\/more.bham.ac.uk\/artsofplace\/wp-content\/uploads\/sites\/42\/2021\/05\/index-600x400.jpg",600,400,true],"ab-block-post-grid-square":["https:\/\/more.bham.ac.uk\/artsofplace\/wp-content\/uploads\/sites\/42\/2021\/05\/index-600x600.jpg",600,600,true],"atomic-blocks-featured-image":["https:\/\/more.bham.ac.uk\/artsofplace\/wp-content\/uploads\/sites\/42\/2021\/05\/index.jpg",960,1280,false],"atomic-blocks-featured-image-wide":["https:\/\/more.bham.ac.uk\/artsofplace\/wp-content\/uploads\/sites\/42\/2021\/05\/index.jpg",960,1280,false],"atomic-blocks-logo":["https:\/\/more.bham.ac.uk\/artsofplace\/wp-content\/uploads\/sites\/42\/2021\/05\/index-300x400.jpg",300,400,true]},"post_excerpt_stackable_v2":"

The Diary of Joseph Turrill of Garsington 1863-67<\/p>\n","category_list_v2":"Bookshelf<\/a>","author_info_v2":{"name":"Jessica Fay","url":"https:\/\/more.bham.ac.uk\/artsofplace\/author\/fayj\/"},"comments_num_v2":"0 comments","featured_image_src":"https:\/\/more.bham.ac.uk\/artsofplace\/wp-content\/uploads\/sites\/42\/2021\/05\/index-600x400.jpg","featured_image_src_square":"https:\/\/more.bham.ac.uk\/artsofplace\/wp-content\/uploads\/sites\/42\/2021\/05\/index-600x600.jpg","author_info":{"display_name":"Jessica Fay","author_link":"https:\/\/more.bham.ac.uk\/artsofplace\/author\/fayj\/"},"_links":{"self":[{"href":"https:\/\/more.bham.ac.uk\/artsofplace\/wp-json\/wp\/v2\/posts\/1557","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/more.bham.ac.uk\/artsofplace\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/more.bham.ac.uk\/artsofplace\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/more.bham.ac.uk\/artsofplace\/wp-json\/wp\/v2\/users\/128"}],"replies":[{"embeddable":true,"href":"https:\/\/more.bham.ac.uk\/artsofplace\/wp-json\/wp\/v2\/comments?post=1557"}],"version-history":[{"count":5,"href":"https:\/\/more.bham.ac.uk\/artsofplace\/wp-json\/wp\/v2\/posts\/1557\/revisions"}],"predecessor-version":[{"id":1564,"href":"https:\/\/more.bham.ac.uk\/artsofplace\/wp-json\/wp\/v2\/posts\/1557\/revisions\/1564"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/more.bham.ac.uk\/artsofplace\/wp-json\/wp\/v2\/media\/1559"}],"wp:attachment":[{"href":"https:\/\/more.bham.ac.uk\/artsofplace\/wp-json\/wp\/v2\/media?parent=1557"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/more.bham.ac.uk\/artsofplace\/wp-json\/wp\/v2\/categories?post=1557"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/more.bham.ac.uk\/artsofplace\/wp-json\/wp\/v2\/tags?post=1557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}